{"id":11664,"date":"2014-08-01T15:48:38","date_gmt":"2014-08-01T15:48:38","guid":{"rendered":"http:\/\/testthemes:8888\/?p=11664"},"modified":"2014-11-27T11:46:38","modified_gmt":"2014-11-27T11:46:38","slug":"figurae-veneris-patriotiques","status":"publish","type":"post","link":"https:\/\/joriktrupa.org\/fr\/figurae-veneris-patriotiques\/","title":{"rendered":"Figurae Veneris Patriotiques"},"content":{"rendered":"<p style=\"text-align: justify;\"><span style=\"color: #000080;\"><strong><span style=\"color: #000000;\">(version anglaise)<\/span><\/strong> If only it were less pretentious, the play \u201cKNKNPNKN\u201c would be more than only the best piece of this year\u2019s Belef, which, unlike the previous year, appeared to be quite good. The play \u201eKNKNPNKN\u201c\u00a0 (\u041a\u0418\u041a\u0418\u0420\u0418\u041a\u0418) (Peanuts) is made up of eighteen (one would say) freely chosen images, the so-called, mythical entries of our (ex-YU) culture, or rather public life. Namely, with the use of the book \u201cLexicon of Yu mythology\u201d the authors interpret their version of what was once referred to as common cultural ground, wisely staying clear of the Yugo-nostalgia but rather attempting to establish their own (witty) image of what we now call Yu mythology. Thus, for example, the explanation of the first TV series of epic proportions \u201cDynasty\u201d which was aired at the dusk of the disintegration of the SFRY (the Federal Socialist Republic of Yugoslavia) and which preceded the first major (at least in terms of the number of episodes) domestic TV series \u201cBolji \u017divot\u201d ( \u201cA better life\u201d) will be given through drama lessons.<\/span><br \/>\n<span style=\"color: #000080;\"> The famous Steven and his friends, the so-called pioneers of homosexuality, are interpreted by two drama students as Ustasha and Chetnik characters. Their mutual relationship is shown through the analysis of the figurae veneris in 100 positions, whereas the recollection of the ex-YU sex symbols, Bo\u017eidarka Frajt, Svetlana Bojkovi\u0107, Milena Zupan\u010di\u010d or Tanja Bo\u0161kovi\u0107 was realized using of the members of the JNA (Yugoslav People\u2019s Army) and referring to what the army members do all the time, aside from drinking. Up until the moment they were blown out by an explosion. Furthermore it is worth pointing out to some inspired scenes such as \u0160erbed\u017eija Rade, in which the worldwide fame in roles of Slavic criminals of all colors, is interpreted from the point in time when the actor was identified with \u201eNe daj se Ines\u201c or a nostalgic tale of Mirza Deliba\u0161i\u0107 and his struggle for recognition. The five members: Milovan Filipovi\u0107, Milorad Kapor, Ninoslav \u0110or\u0111evi\u0107, Suzana Vukovi\u0107 and Jelena \u0110uki\u0107 made a good team which worked well together, backed up by the \u201cLudilo mozga\u201d (\u201cInsane in the Brain\u201d) band.<\/span><\/p>\n<p style=\"text-align: right;\">Nedeljko Jovanovi\u0107<br \/>\nBlic<\/p>\n","protected":false},"excerpt":{"rendered":"<p>(version anglaise) If only it were less pretentious, the play \u201cKNKNPNKN\u201c would be more than only the best piece of this year\u2019s Belef, which, unlike the previous year, appeared to be quite good. The play \u201eKNKNPNKN\u201c\u00a0 (\u041a\u0418\u041a\u0418\u0420\u0418\u041a\u0418) (Peanuts) is made up of eighteen (one would say) freely chosen images, the so-called, mythical entries of our (ex-YU) culture, or rather public [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[105,113],"tags":[],"class_list":["post-11664","post","type-post","status-publish","format-standard","hentry","category-critiques","category-knknpnkn-fr"],"_links":{"self":[{"href":"https:\/\/joriktrupa.org\/fr\/wp-json\/wp\/v2\/posts\/11664","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/joriktrupa.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/joriktrupa.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/joriktrupa.org\/fr\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/joriktrupa.org\/fr\/wp-json\/wp\/v2\/comments?post=11664"}],"version-history":[{"count":0,"href":"https:\/\/joriktrupa.org\/fr\/wp-json\/wp\/v2\/posts\/11664\/revisions"}],"wp:attachment":[{"href":"https:\/\/joriktrupa.org\/fr\/wp-json\/wp\/v2\/media?parent=11664"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/joriktrupa.org\/fr\/wp-json\/wp\/v2\/categories?post=11664"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/joriktrupa.org\/fr\/wp-json\/wp\/v2\/tags?post=11664"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}